Released in 1980, “The Octagon” marked director Eric Karson‘s foray into the burgeoning martial arts film genre. Led by the stoic presence of Chuck Norris, the film offers a blend of action sequences, revenge plot, and Cold War intrigue. While the narrative may not hold many surprises for seasoned action movie viewers, “The Octagon” serves as a time capsule of the genre’s early 80s aesthetics and a showcase for Norris’ martial arts prowess.
Director Eric Karson’s Early 80s Actioner Offers Chuck Norris Kicks and Cheesy Thrills
The story follows Scott James (Norris), a disillusioned martial arts champion drawn back into the world of violence after the death of a friend. His investigation leads him to a shadowy organization with ties to energy exploitation and a ruthless enforcer named Kyo (played by the agile Richard Norton). Aiding Scott is his loyal sidekick Scotty (Kim Tai Chung), who provides moments of comic relief amidst the escalating tension.
Despite a plot that occasionally struggles for coherence, “The Octagon” shines in its fight choreography. Norris, a black belt in Tang Soo Do, delivers powerful kicks and takedowns with a stoic intensity. The final showdown between Scott and Kyo is a highlight, showcasing impressive athleticism and showcasing the influence of Bruce Lee’s films on the genre.
However, the film’s limitations lie in its narrative. The script, co-written by Karson, relies on familiar tropes of revenge and corruption, lacking the depth to fully engage the viewer beyond the action sequences. Additionally, the inclusion of ninjas feels more like a trend-chasing element rather than a natural narrative progression.
“The Octagon” is not a groundbreaking film, but it serves as a solid example of the early 80s martial arts craze. For fans of Chuck Norris and enthusiasts of the genre’s evolution, the film offers a glimpse into the action cinema of the past. The fight choreography remains impressive, and the film’s campy charm provides a source of entertainment. However, viewers seeking a complex narrative or a nuanced performance from Norris may be left wanting.
