A Kiss Before Dying (1956)
Film that oozes mid-century glamor and raw suspense
SUBTITLES available: press CC in player for English, Spanish, French or German subtitles
A Kiss Before Dying (1956) is a classic film noir dripping with deception and deadly ambition. Directed by Gerd Oswald, the film stars Robert Wagner, Joanne Woodward, and Jeffrey Hunter in a tangled web of love and murder. Adapted from Ira Levin’s best-selling novel, it’s a story that oozes mid-century glamor and raw suspense. The camera lingers on sleek cars, sharp suits, and the deceptively sunny American dream turned dark. This isn’t just another noir; it’s a slick, cunning tale of a man willing to do anything to climb the social ladder.
Plot: The American Dream Gone Wrong
Wagner plays Bud Corliss, a charming young man with a lethal edge. He’s got his sights set on marrying into wealth, but when his girlfriend Dorothy (Woodward) becomes an obstacle, he takes drastic measures. A murder dressed up as a suicide sets off a chain of lies that Bud can’t quite control. Dorothy’s sister Ellen (Virginia Leith) starts digging, and Bud’s carefully crafted life begins to unravel. Secrets are exposed, identities are questioned, and it all barrels toward a showdown that makes you question every smile, every sweet word. It’s a classic cat-and-mouse game with a heartless protagonist who will stop at nothing.
Review: A Noir Masterpiece with a Sinister Charm
A Kiss Before Dying delivers the kind of twisted plot that grips you by the throat. Oswald’s direction is sharp, capturing the shiny surface of 1950s America while hinting at the darkness underneath. Robert Wagner’s performance is chilling, a perfect blend of charm and menace. He’s the kind of villain who smiles while he’s stabbing you in the back. The pacing keeps you hooked, with every scene pushing Bud closer to his downfall. It’s not just a thriller; it’s a searing look at ambition, deceit, and the fatal cost of greed. For fans of noir, this film is a goldmine of tension, drama, and razor-sharp storytelling.
