
The Play House (1921) - Buster Keaton plays every goddamn person in the building—the conductor, the band, the stagehands, and the entire audience. This is a technical miracle from a man who treated cinema like a clockwork engine and a playground for the ego. It’s a surreal, psychedelic trip into the concept of identity, filmed with a precision that would make modern editors weep. Keaton wasn't just a performer; he was a one-man riot and a visionary of the lens.