A kaleidoscope of youth disillusionment and rebellion
Changes (1969) is a trippy, experimental film directed by Hall Bartlett that captures the turbulent spirit of the late 60s. Starring Kent Lane as the wandering soul Kent, and Michele Carey as his elusive love interest, the film dives deep into the counterculture movement. Bartlett, known for his unconventional storytelling, uses a blend of surreal imagery, stream-of-consciousness dialogue, and a folk-infused soundtrack. The movie is a kaleidoscope of youth disillusionment and rebellion, reflecting the existential angst of a generation. Shot on location in California, Changes encapsulates the vibe of a world on the edge of transformation.
Plot: A Rebel’s Quest for Meaning in a Chaotic World
Kent is a young man drifting through a world that seems to have lost its way. He breaks up with his girlfriend, escapes the city, and embarks on a road trip searching for something—anything—that feels real. Along the way, he meets an oddball cast of characters: a free-spirited artist, a cynical poet, and a jaded war veteran. Each encounter pushes him deeper into his own psyche, forcing him to confront his ideals, fears, and the ever-present sense of doom that shadows the counterculture. The plot weaves between reality and hallucination, blurring the lines as Kent spirals into a personal revolution.
Review: A Wild, Hypnotic Snapshot of the 60s Psyche
Changes (1969) is more than just a movie—it’s a time capsule of a restless era. Hall Bartlett’s direction keeps the narrative fluid, often abandoning linear storytelling in favor of raw emotion and visual poetry. Kent Lane’s performance captures the aimlessness and confusion of youth caught between protest and apathy. The film’s non-traditional style, with its jarring cuts and dreamlike sequences, mirrors the chaotic energy of the time. Changes doesn’t just tell a story; it paints a visceral picture of a generation lost and searching. It’s a must-see for those fascinated by 60s counterculture—a bold, beautifully flawed masterpiece.